It became known worldwide through the interpretation of Stan Getz and Charlie Byrd on their album Jazz Samba from 1962, which received a Grammy in 1963. Jobim himself published it in 1960 on the album O Amor, O Sorriso EA Flor, recorded with João Gilberto. It has been played and recorded by numerous performers. The piece is one of the best-known representatives of Bossa-Nova and contributed to its worldwide triumph. The following B part consists of a contrasting melody made up of different intervals. This sequence forms the A part of the piece. The four-bar motif is repeated, then increased by a fourth and finally played again in the original version. The title refers to the melody of the piece, which is initially only played on a single note, the fifth the basic key, while the accompanying chords change.
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January 2023
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